TheFourthSpace

Home. Work. Community. Most lives move between three spaces, and between them a life is fully accounted for.

There is a fourth. It keeps no address and appears on no schedule. It is the studio at four in the morning, the fitting before the car comes, the dinner where the thing is settled before it is ever written down. It is where the record gets made, the look gets chosen, the career gets changed.

You have spent your career inside it. Almost no one else has ever seen it.

This December, at Faena Forum, we are building that room and opening the door. We would be honored to build it with you.

The Fourth Space opens December 4–5, 2026 at Faena Forum, Miami Beach, in the heart of Art Week.

December 4 begins in private. One hundred VIP seats. One dinner. By invitation.

December 5 opens the doors. By day, an exhibition of what comes next. By night, a thousand-seat room where performance, conversation and art converge around a single honoree.

The first is Janet Jackson.

The room will have spent an evening seated — poetry, theater, Janet herself, an award. Someone has to turn a thousand people from an audience back into a crowd, and everything after depends on whether that works. It is the most magical set of the night.

We would like you to play the opening set of Velvet Rope After Dark.

December 4 — The Dinner. A seated dinner for one hundred invited guests, executive partners, and the people who built the careers in the room. We would like you there as a guest, not on a call time. No set, no obligation.

December 5 — Velvet Rope After Dark.Ten to eleven-thirty. Ninety minutes, a thousand-capacity room at Faena Forum — coming directly out of A Conversation with Janet Jackson and The Saints Icon Award, into the headline set that closes the night.

You have never treated the booth as a place to stand still. You dance while you play; the set is a performance, not a selection, and the room reads your body before it reads the record. Janet built a career on exactly that refusal. That is the thread — two artists who made the audience move by moving first.

The inaugural year is the one that gets referenced forever.